The song that led Robert Plant to leave Led Zeppelin: “I’m heading back home”

A band that is reuniting must have a compelling cause to return to the stage. It is simple to understand why certain individuals either do not wish to communicate with one another or are too old to create the same level of magic as they did in the early days. It is no surprise that bands such as The Police have only conducted one legitimate reunion before returning to their solo albums. However, Led Zeppelin was the one band that should have spent more time with their admirers during their reunion.

However, Robert Plant has been the sole individual who has refrained from discussing the possibility of reuniting with his former colleagues, and it is not difficult to understand why. It is impossible to anticipate that he will embody the “Percy” persona each time he steps the stage. Consequently, he is responsible for a significantly greater amount of responsibility than Jimmy Page, who executes his signature licks, and Jason Bonham, who serves as his father’s replacement behind the drum kit.

However, this does not necessarily imply that Plant has been entirely opposed to the idea of reuniting. The Page/Plant pseudo-reunion did produce some intriguing musical moments when they revisited some of their older songs. Additionally, when he performs with Allison Krauss, it is significantly more captivating to hear him perform more folk-oriented renditions of songs such as “The Battle of Evermore” than to hear him push himself to the limit with “Rock and Roll” or “Immigrant Song.”

Celebration Day may have been the final official reunion of Led Zeppelin, but that did not prevent Plant from performing a few one-off performances for the sake of entertainment. However, no band member regards Live Aid as their most exceptional performance of the 1980s; however, they could have achieved a more credible result with Tony Thompson at the helm.

The unfocused nature of all individuals was evident from the moment they convened in the rehearsal room. Everyone possessed the ability to execute a feat, and they even had the privilege of working in Peter Gabriel’s state-of-the-art studio in Bath. However, it was impossible to achieve consensus among them due to their lack of knowledge regarding the material, particularly when Thompson was compelled to depart midway through the session to embark on a tour with another band.

The reunion may have been expedited by the reminiscence factor following Live Aid; however, Plant was considerably less enthusiastic after spending an excessive amount of time inactive, stating, “The entire thing dematerialised.” Jimmy was required to replace the battery in his wah-wah pedal every one and a half tracks. At that time, I declared, “I am returning home.” [John Paul] Jonesy enquired, “Why?” ‘Because I am unable to tolerate this.’ “However, you have previously tolerated it.” I stated, “Look, man, I do not require the money.” I am departing.

It is evident that Plant was also operating on a different wavelength than he was in 1973 when he listened to his actions. Now and Zen was an excellent record for his solo career. However, the influences from bands such as Talking Heads were bound to conflict when Jones introduced the old keyboard lines and Page began playing the riff to “Whole Lotta Love,” as he was fresh off of his album Shaken ‘n’ Stirred.

So, in reality, the calamity that transpired at Live Aid was significantly less related to the unsuccessful Zeppelin reunion in the 1980s. Although all members of the band are capable of performing, this is occasionally due to the fact that they are on two distinct creative paths, which causes them to become estranged. While some followers may be discouraged by this, it is impossible to fault Plant for his desire to shift his aesthetic.